"Olaniyan has given us a profound and beautifully integrated book which culminates in a persuasive interpretation of the relationship between Fela’s apparently incompatible presentational selves.... The book�...

Buy Now From Amazon

Product Review

"Olaniyan has given us a profound and beautifully integrated book which culminates in a persuasive interpretation of the relationship between Fela’s apparently incompatible presentational selves.... The book’s accessible and evocative prose is in itself a kind of homage to Fela’s continual ability to seduce and astonish.... This is such an attractive book you feel like... ransacking your collection for Fela tapes." ―Karin Barber

"... an indispensable companion to Fela’s music and a rich source of information for studies in modern African popular music." ―Akin Euba

Arrest the Music! is a lively musical study of Fela Anikulapo-Kuti, one of Africa’s most recognizable, popular, and controversial musicians. The flamboyant originator of the "Afrobeat" sound and self-proclaimed voice of the voiceless, Fela used music, sharp-tongued lyrics, and derisive humor to challenge the shortcomings of Nigerian and postcolonial African states. Looking at the social context, instrumentation, lyrics, visual art, people, and organizations through which Fela produced his music, Tejumola Olaniyan offers a wider, more suggestive perspective on Fela and his impact on listeners in all parts of the world.

Placing Fela front and center, Olaniyan underscores important social issues such as authenticity, racial and cultural identity, the relationship of popular culture to radical politics, and the meaning of postcolonialism, nationalism, and globalism in contemporary Africa. Readers interested in music, culture, society, and politics, whether or not they know Fela and his music, will find this work invaluable for understanding the career of an African superstar and the politics of popular culture in contemporary Africa.

African Expressive Cultures―Patrick McNaughton, general editor



Similar Products

The World is Moving Around Me: A Memoir of the Haiti EarthquakeHistory and Other PoemsTravels with Mae: Scenes from a New Orleans GirlhoodRumba Rules: The Politics of Dance Music in Mobutu’s Zaire33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday to Green DayThe Predicament of Blackness: Postcolonial Ghana and the Politics of RaceJuju: A Social History and Ethnography of an African Popular Music (Chicago Studies in Ethnomusicology)White Supremacy: A Comparative Study of American and South African HistoryExchanging Our Country Marks: The Transformation of African Identities in the Colonial and Antebellum South