In this text, Linda Nochlin traces developments as they have been expressed in representations of the human figure fragmented, mutilated and fetishised, by looking at work produced by artists from Neo-classicism to modern ar...

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In this text, Linda Nochlin traces developments as they have been expressed in representations of the human figure fragmented, mutilated and fetishised, by looking at work produced by artists from Neo-classicism to modern art.

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