This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple.


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This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple.


  • Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences
  • Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin
  • Published in the expanding Blackwell Anthologies in Art History series


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