The sound era was barely seven years old (and the art of orchestral film scoring still evolving) when German-born composer Franz Waxman conjured up one of its first unlikely film-music masterpieces, this 1935 score for direc...

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The sound era was barely seven years old (and the art of orchestral film scoring still evolving) when German-born composer Franz Waxman conjured up one of its first unlikely film-music masterpieces, this 1935 score for director James Whale's sequel to his hit Frankenstein. Indeed, Waxman created many of what have become the musical clichés of the horror genre, captured here in a spectacular new digital recording by Kenneth Alwyn and the Westminster Philharmonic; the exotic, lilting motif to "Female Monster Music" will even evoke Rodgers and Hammerstein's "Bali Ha'i," though it was written nearly 15 years earlier! Also included is a short suite from Waxman's score for another, less-heralded, '30s Universal horror film, the Karloff-starring The Invisible Ray; both are thoroughly annotated in a fashion that will please fans, musicians, and scholars alike. --Jerry McCulley

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