Like Eric Alexander, another excellent young saxophonist, Donny McCaslin reveals a healthy respect for the classic muscular tenor sound--no wispy, half-hearted emoting for him. But on Soar, as on previous efforts unde...

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Like Eric Alexander, another excellent young saxophonist, Donny McCaslin reveals a healthy respect for the classic muscular tenor sound--no wispy, half-hearted emoting for him. But on Soar, as on previous efforts under his own name, he forcefully departs the jazz mainstream to engage in Panamanian folk tunes, post-fusion melodies and open-ended modern structures. McCaslin, who recently replaced Chris Potter in Dave Douglas' quintet, is supported by two of his cohorts in the Maria Schneider Orchestra: Luciana Souza, whose wordless vocals color the sound with pastel cool and act as a lively harmonic foil, and guitarist Ben Monder, who provides lyrical heat. Producer Dave Binney keeps the sound varied, making good use of McCaslin's flute playing (and tenor overdubs) and adding brass to a couple of performances. The gifted pianist Orrin Evans keeps his gospel chops under wraps but, together with bassist Scott Colley, provides exceptionally graceful support. --Lloyd Sachs

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