Product Review
The DP7 is an award winning, pre-packaged set of seven premium microphones for live sound and recording. The microphones in this kit work in tandem to capture the explosive sound of drums and percussion naturally and without distortion. The D6 for kick drum and the i5 for snare have become industry standards for drummers and sound engineers. With the addition of the ADX51 condenser mics used as overheads, the entire sound of the drums can be captured with incredible, realistic detail. Also included in the kit are four DVICE tension fit mounting clips for snare and toms. All mics and accessories are conveniently packaged in a foam-lined aluminum road case for safe keeping during travel or when the mics are not in use. The DP7 includes: 1….. D6 for kick drum 1….. i5 for snare 2…..D2 for rack toms 1…..D4 for floor tom 2…..ADX51 for overheads 4…..DVICE gooseneck rim mount clips 1…..DCLIP for D6 1…..Aluminum road case 1….."How to Mic Drums" video
- KICK DRUM MICROPHONE: The D6 is an excellent choice for kick drums, featuring a frequency response of 30Hz-15kHz and a cardioid pick-up pattern that doesn't require finding the drum's "sweet spot."
- SNARE MICROPHONE: Ideal for snares, the i5 has a cardioid polar pattern, a uniform frequency response of 50Hz-16kHz, and the ability to handle sound pressure levels above 140 dB.
- TOM MICROPHONE: For dynamic sound from drum toms and congas, the D2 can accurately reproduce the warmth and punch without the muddy, indistinct "boom" common in other microphones.
- FLOOR TOM MICROPHONE: The D4 is perfect for low-end sounds, providing an extra "oomph" to your kick drum, bass amp, and other low instruments with its flat, linear response. It's particularly useful for floor toms when used in conjunction with the D6.
- OVERHEAD MICROPHONE: The ADX51 is a versatile pre-polarized condenser microphone with a cardioid pickup pattern, suitable for various applications in live events, studios, and broadcasts. It offers a smooth uniform response over a frequency range of 40Hz-20kHz.