While Hill' first three string quartets were reminiscent of Dvor-Ak and Tchaikovsky, these three demonstrate new directions. With the slow movement of Quartet No. 4 hinting at influences of Elgar, and Quartet No. 6 conceive...

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While Hill' first three string quartets were reminiscent of Dvor-Ak and Tchaikovsky, these three demonstrate new directions. With the slow movement of Quartet No. 4 hinting at influences of Elgar, and Quartet No. 6 conceived in a kind of retro-classical

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