In Book I (1722) of his Well-Tempered Clavier, J.S. Bach set off on an unprecedented passage through all the tonalities available to him on the
keyboard. Using the tuning which research suggests Bach himself advocated, Ri...

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In Book I (1722) of his Well-Tempered Clavier, J.S. Bach set off on an unprecedented passage through all the tonalities available to him on the
keyboard. Using the tuning which research suggests Bach himself advocated, Richard Egarr completes his acclaimed project with this inspired reading of Book II, where Bach (after a decade-long genesis) revisits his ambitious scheme to produce another monumental collection.

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