Unlike the production limitations that defined the sound of Diane Coffee’s debut My Friend Fish (recording drums on an iPhone, using a detuned guitar in lieu of a bass, etc) Everybody's a Good Dog was recorded in prop...

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Unlike the production limitations that defined the sound of Diane Coffee’s debut My Friend Fish (recording drums on an iPhone, using a detuned guitar in lieu of a bass, etc) Everybody's a Good Dog was recorded in proper studios with an assortment of guest appearances, horns, and a string ensemble, finally bringing to life Fleming's deep well of talent and ideas. The album covers a lot of ground from sweet acapella harmonies, to bursts of big brass and Motown swagger, to unhinged psychedelic mayhem. The album's unstoppable grooves and melodies were written with live performance in mind. "I like performing more than recording. It’s like throwing a mini party each night that goes really well." says Fleming. When you hear him pouring every bit of his two decades of experience as a performer into these songs, it's clear that Diane Coffee is not a side project, it's THE project Fleming has been working towards his whole life.

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