This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tonesto life in the most beaut...

Buy Now From Amazon

Product Review

This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tonesto life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations ofthe exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.

Markand Thakar is music director of the Baltimore Chamber Orchestra and a member of the graduate conducting faculty at the Peabody Conservatory. A protégé of the legendarySergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar leads annual conductor-training programs that draw students from around the world. He is author of Looking forthe "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

Similar Products

Baton Basics: Communicating Music through GesturesSound Innovations for Concert Band: Flute, Book 1: Learn How to Play Flute with this Concert Band Method for Beginning Musicians (Sound Innovations Series for Band)Essential Elements 2000: Comprehensive Band Method: B Flat Clarinet Book 1Real Men Don't Rehearse: (Adventures in the Secret World of Professional Orchestras)Tales from the Locker Room: An Anecdotal Portrait of George Szell and his Cleveland OrchestraBeyond the Baton: What Every Conductor Needs to Know